Cutting Room
The old name for the place where film is edited; evocative, plain and easy to say.
§ 19Industry file · Video production
Video companies are hired by people who already know what they want to see, so the name should have motion, a sense of story and the confidence to be said in a pitch. Cinematic names are everywhere, and the ones that last borrow from editing, sound and film craft.
§ 01Form BN-1
The industry is already filled in. Say what is particular about yours (the street, the customer, the thing you do better) and you get twelve more names with their domains checked, each typeset as a brand.
Or start from the twelve examples below.
§ 02Exhibits A to L
Chosen by hand, each with the reason it works here. Save the ones you like, or check which domains are free.
12 examples · save any to your shortlist
The old name for the place where film is edited; evocative, plain and easy to say.
A transition between two things that rhyme visually; clever without being obscure and short enough for a logo.
A film reel and a measure of discipline; a pair that sounds like a craft shop.
The re-do that is usually better; friendly and honest, and it fits a collaborative studio.
The craft of making sound effects, known to filmmakers and charming to everyone else; one word, two syllables.
The unedited footage a crew reviews each day; insider, and suggests quick turnaround.
The establishing view; implies perspective and big-picture thinking for a brand or documentary company.
A warm light and a classic company ending, for a studio that tells human stories.
A sudden change of moment, a style familiar to creators; a punchy name for social and short-form producers.
The clapperboard that marks each take; four letters and one beat, good for a bold logo.
An unbroken shot: patient and confident; suits a documentary or an arts-focused studio.
The twilight before dark that filmmakers love; a precise, pretty image that suits a cinematic studio.
Examples, not recommendations: they may already be in use. Search your trademark register before you commit.
§ 03House rules
Cuts, takes, rushes and slates are specific and sound like skill. They separate you from the stock of Motion, Vision and Frame names that every video company reaches for.
A wedding videographer, a corporate producer and a creator editor are different buyers. A name with story (Blue Hour, Long Take) appeals to some; a punchy name (Jump Cut) to others.
Your name appears in end credits and festival catalogues. It should look right in small capitals and be easy to read aloud by a presenter.
Clients will look you up on YouTube and Vimeo. Check handles on both, and on Instagram, before you commit to a name.
Vision, Vista, Motion, Pixel and Frame turn up in a huge number of video names. If your name is in that pool, search results and clients will blur you with other companies.
DoPatterns that work
Don’tThings to avoid
§ 05Next door
§ 06After the shortlist
A video production company name is easy to love in a list and hard to keep once it is on a door. Save the ones that slow you down, then put them through these.
Check a name before you file it